The oldest of three children, Prida went to work in a bakery to earn money for the family. Since Prida arrived in this country with nothing, she had to borrow money from her uncle to get to New York. Not long after the revolution in 1959, her father fled to Miami in a boat the rest of the family followed in 1961. (excerpts)Дolores Prida was born in CaibariГ©n, Cuba. Women Playwrights of Diversity: A Bio-Bibliographical Sourcebook. Prida's works include blingual scripts which feature both English and Spanish.ДЇor more information please visit Dolores Prida's blog Popular topics dealt with the issues of being a woman and feminine stereotypes as well as the concept of leading a bicultural life and the challenges presented to those straddling the fence between Hispanic and American culture. Following her work with Teatro Popular, Prida went on to write over 10 plays which displayed issues that were most prevalent in her community in her life. At Teatro Popular Prida identified with the theater company's concept of applying to broader audiences and creating 'popular' plays, as opposed to the traditional concept of theater in Latin America which is usually reserved for the upper and middle-class portions of the population. 'I didn't write a play until I had been involved with other things: doing the props, doing the lights out of tomato cans, running the music cues,' she once described. Here Prida began her work in the logistical aspects of play productions. Coming from a small town in rural Cuba, Prida had had very little exposure to the genre and intially found theatre, especially musicals, to be 'weird.' Her first work experience in the genre was in in 1976 where she worked with a collective group, Teatro Popular, on the Lower East Side of Manhattan. Prida had her first experience with the genre of theater in the mid 1970's. She continued on into a very successful career in journalism, writing and editing for the daily Spanish-language paper, El Tiempo, as well as other publications such as VisiГіn, Nuestro, and AHA!, the monthly newsletter of the Association of Hispanic Arts. She subsequently took college courses where she studied literature and honed her writing abilities. Upon establishing residency in New York with her family, she began working in a bakery which would eventually lead to her first experience in publications as she would be delegated the position of newsletter writer after 6 years with the bakery. Soon after the 1959 revolution her father fled to the US in a boat, and two years later the family followed. 'She felt that that's really the way that you capture people's attention and engage them in social analysis.Dolores Prida was born the oldest of three children in CaibariГ©n, on the northern coast of Cuba. 'She believed that, really, the way to engage people and kind of help them think critically and change their mind about issues was to use humor,' said Amaro, a friend of Prida's since 1977. Her plays included 'Casa Propia,' in which buying a home spotlights the differences between a Cuban woman and her husband 'Coser y Cantar' ('To Sew and To Sing'), a bilingual comedy about the inner cultural conflicts of a Hispanic woman and 'Botanica,' which traces cultural and generational divides and connections among a Puerto Rican woman and her granddaughter. How other people see us, how we see ourselves.' 'My intention as a writer is to explore, in many different ways, our being here,' Prida said in the Repertorio Espanol, profile. She went on to write several plays, often using both English and Spanish and focusing on the experience of women at a cultural crossroads. From deep reds to lush oranges, Connecticut residents can travel around the state to bask in the foliage while it remains for its short time span.Д«y the mid-1970s, she had become involved in theater.

Coser y cantar dolores prida summary